Showing posts from May, 2016

Broadway Bluegrass

I saw Bright Star on Broadway last week. My review in two words? Really good. That's not to say it was flawless, and the elements I wasn't too pleased with I will proceed to explain, but you can safely assume that for any given element of the show, if I do not mention it and say otherwise, I thought it was terrific.

On the one hand, there are spoilers for Bright Star ahead. On the other hand, the plot of Bright Star was pretty predictable. Note that this is not necessarily a bad thing. I've talked about this before, citing Il Trovatore as an example of a show that tells you in the first scenes pretty much exactly how its going to end, and still manages to be a terrific dramatic roller coaster. Sondheim had trouble with a plot twist in Sweeney Todd, in that sometimes the audience figured out the twist way ahead of time, and some of them didn't even quite get it when Sweeney did, and there was no consistency from performance to performance. To solve this, Sondheim added …

Bel Canto Of Broadway

So Hamilton just set a record with sixteen Tony nominations. It's worth noting, though, that seven of those nominations were for actors. So really it's only nine nominations that will apply when it's finally possible to get tickets in three years. Second, because of multiple nominations in the actor categories, Hamilton can only possibly win thirteen Tonys. The record for most Tonys won by a production is held by The Producers, which won twelve. It was nominated for fifteen. The reason Hamilton was able to grab one more nomination is because The Producers did not have any female characters prominent enough to be eligible for the Actress In A Leading Role award.
The Producers swept every category it was nominated for, but I wouldn't get too excited for Hamilton. The Producers was up against very little competition. Look at the 2001 Tony awards and tell me, how competitive was that really? Of course, that may be due to hindsight, but Billy Elliot, which also got fifteen …