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Showing posts from July, 2016

God Bless City Center Encores!

Encores! Off-Center at City Center just finished its run of Alan Menken and Howard Ashman's God Bless You Mr. Rosewater, based on the Kurt Vonnegut novel of the same name. I saw the show yesterday, and was duly impressed.

I very much like Encores! (Although I'm not a fan of the exclamation mark at the end; I have no idea how to punctuate it, for instance, in a list, such as I might be listing Encores!, Oliver!, Oklahoma!, and other such annoying titles that end in exclamation marks.) The premise of the series is to perform obscure musicals, and try to bring them back into the public eye. Sometimes this works well, most notably with their 1996 production of Chicago. Then an obscure faded show, Encores! revived it, and what was originally a limited-run concert launched a full-scale Broadway revival which is still running twenty years later.

Some of the shows Encores! performs were originally poorly received (or later dipped into obscurity) because they were somehow unconventiona…

Menken A "Musical Theater" Score

It seems every Broadway songwriting team has their niche. Rodgers & Hammerstein wrote romantic pastoral pieces (except for Allegro, Me And Juliet, Pipe Dream...), Lerner & Loewe wrote sophisticated European farces about rich people (except for Brigadoon, Paint Your Wagon...),  and Kander & Ebb wrote about dark subjects in entertaining ways, such that you laugh and then worry if you're a terrible person for laughing at that (except Flora The Red Menace, The Rink...) You get the picture.

It may surprise to find out that musical songwriting duo Menken and Ashman never wrote a musical for Broadway -- though several of their collaborations have been brought to Broadway years after they were first written. Their first musical, God Bless You Mr. Rosewater, was based on a Kurt Vonnegut novel, and, as you might expect, is filled with satire and weirdness, although, oddly enough, it's told in chronological order and has no sci-fi MacGuffin. Anyway, deeming its cast of fourte…

And Cats Makes Three

Assuming School Of Rock continues to run for the next couple of months (which seems likely), come August, Andrew Lloyd Webber will be represented on Broadway by three shows. The original productions of Phantom and School Of Rock, and the revival of Cats. This will be the most shows running on Broadway from one individual composer at the current time, and since there are only so many Broadway theaters, it seems reasonable that it might be the record, since for a composer to have multiple shows on Broaday at once, they either need long runs (like Phantom) or multiple shows popular enough to revive. Bock and Harnick, for instance, are currently represented on Broadway by both Fiddler On The Roof and She Loves Me, while as long as Chicago continues to run, any revival of a Kander and Ebb musical will give them two shows on Broadway. I feel like listing Alan Menken might be cheating, since he's so strongly connected with Disney, which obviously has its own advantages, but currently he …