Great Comet: On Engaging Staging
I made a post last month with some of my thoughts about the new Broadway musical Natasha, Pierre, And The Great Comet Of 1812 , based on the cast recordings and my research into the show. Now, having seen it live, I have a few more thoughts. There's been a lot written about this musical already, so I'm going to keep the review part of this short. We already know that this is a well-written music with great music. The cast album is out. It's not up to me to tell you whether you'll like the music. Josh Groban left the show on Sunday, and the Pierre I saw was Dave Malloy, the librettist and composer, who originated the role off-Broadway. I am generally opposed to writers and composers originating roles in their own works (cameos excepted) as a matter of principle, just as it's generally considered bad form for directors to cast themselves. That said, despite being in the title of the musical, Pierre is actually a fairly minor role, hardly featuring in the plot a