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Showing posts with the label Hamilton

Dramaturgy vs. Dialogue

With the Tony Awards coming up on Sunday, I thought I'd clear up a question that seems to be confusing a lot of people. Specifically the matter of why Hamilton  is eligible for the award for best book of a musical. The confusion stems from the fact that people read "book," are told it means "script," and immediately think "dialogue." Hamilton , being almost entirely sung, has minimal spoken dialogue, and so logic dictates that its "book" should really be considered as "lyrics," which are covered under the award for best score. (Which is also flawed -- it should really be two separate awards for music and lyrics, as the Drama Desk awards do. I assume the reason it isn't done is because the one year they tried it, Stephen Sondheim won both awards for Company .) But the book of a musical is not just the dialogue. It also concerns the pacing, the dramatic structure, and the plot itself if original, and the adaptation from the sour...

Bel Canto Of Broadway

So Hamilton just set a record with sixteen Tony nominations. It's worth noting, though, that seven of those nominations were for actors. So really it's only nine nominations that will apply when it's finally possible to get tickets in three years. Second, because of multiple nominations in the actor categories, Hamilton can only possibly win thirteen Tonys. The record for most Tonys won by a production is held by  The Producers , which won twelve. It was nominated for fifteen. The reason Hamilton was able to grab one more nomination is because The Producers did not have any female characters prominent enough to be eligible for the Actress In A Leading Role award. The Producers swept every category it was nominated for, but I wouldn't get too excited for Hamilton. The Producers was up against very little competition. Look at the 2001 Tony awards and tell me, how competitive was that really? Of course, that may be due to hindsight, but Billy Elliot , which al...